The Best Poetic Lyrics in Pop Music in 2018

The Best Poetic Lyrics in Pop Music in 2018-2.jpg

We all can agree that 2018 was a big year for music lovers and history. This includes record breaking releases and the mammoth rise of young talent like Post Malone, Cardi B, Billie Eilish and the superiority of drake.   

No one can doubt that the world of pop music has given us plenty of musical gum to chew, both analytical and emotion filled - this has primarily come from the lyrics in pop music. So before we focus on what is coming in the near future in the music industry, we want to pause for a second and reopen your mind to those analytical and emotion filled seconds that made the world stop. Here are our picks for the most thought provoking lyrics of 2018.    

 

Billie Eilish – “Bitches Broken Hearts”

Writers: Billie Eilish, Emmit Fenn, Finneas O’Connell

This mellow, dreamlike song is an engaging song of an ex that can’t let go of her. Lines like the ones below are the reason this song was able to gain a spot on our list, with its very emotional vision and lyrics one can’t forget about.   

“Everybody knows,

You and I are suicide and stolen art (oh yeah),

Pretty moments sews,

Stitches into all your bitches’ broken hearts.”

 

Drake – “God’s Plan”

Writers: Daveon Jackson, Matthew Samuels, Noah Shebib, Cardo, Yung Exclusive, Boi-1da, Aubrey Graham, Ronald LaTour

Drake is a very well known artist because of his strong lyrics and equally amazing beats. In 2018 he released the song “God’s Plan” this song spent a whopping 26 weeks on the Billboard Hot 100’s top 10 spot. It's clear that he is dominating in this industry and in the charts, he also broke his own record for the longest time he spent at number one. But, this is all thanks to that one line that defined a generation:    

“She tells me do you love me,

I tell her only partly,

I only love my bed and my mama I'm sorry.

 

Mitski – “Nobody”

Writers: Mitski, Patrick Hyland

Indie Icon Mitski is on our list for her smash hit song “Nobody”. Anyone listening to this song will note how poetic, beautiful and sad the lyrics are. Her lyrics about wanting to change in order for someone to love her hit home with many listeners. To continue, the song speaks about themes that are often ignored like isolation and yearning for things are often taken for granted.        

“I’ve been big and small,

And big and small,

And big and small again,

And still nobody wants me.”

 

The Weeknd – “Call Out My Name”

Writers: Abel Tesfaye, Adam Feeney, Nicolas Jaar, Frank Dukes

“Call Out My Name” only goes on to further prove that Abel is amazing at grouping emotional lyrics about love and heartbreak in his own style, with his amazing vocals. In this song he wrote about a lover who did not feel the same way. The song is filled with lyrics that we were able to relate to but the following lines were the most relatable:   

“I said I didn’t feel nothing, baby, but I lied,

I almost cut a piece of myself for your life,

Guess I was just another pit stop, ’til you made up your mind.”

Ouch.

 

The 1975 – “Love It if We Made It”

Writers: Adam Hann, George Daniel, Matthew Healy, Ross MacDonald

This modern Rock Bank known as The 1975 have always shown us the truth in a very straightforward but lyrically beautiful way and the song “Love It if We Made It” is a great example. The song is able to be very political, emotional and relatable for the listeners with their thought provoking lines such as:     

“Start with misdemeanors and we’ll make a business out of them,

And we can find out the information,

Access all the applications,

That are hardening positions based on miscommunication.

Oh f*^k your feelings,

Truth is only hearsay,

We’re just left to decay,

Modernity has failed us.”

 

Sophie – “Immaterial”

Writers: Sophie, Cecile Believe, Xeon

The artist Sophie has exemplified tremendous growth in the past years. This is because her lyrics are associated with her identity and do not include her material self. She is also great at combining Existentialism in her lyrics in a manner that is very pop-friendly, such as the following:     

“Without my legs or my hair,

Without my genes or my blood,

With no name and with no type of story,

Where do I live?”

 

Kacey Musgraves – “Golden Hour”

Written by: Daniel Tashian, Ian Fitchuk, Kacey Musgraves

Kacey Musgraves 2018 album Golden Hour contains a wide and beautiful collection of genuine pop music. With gorgeous songs like “High Horse” and “Mother”, it definitely isn’t an album filled with more filler tracks than songs that the listener actually enjoys. But, the song that was chosen for this list is “Golden Hour”:   

“I used to get sad and lonely when the sun went down,

It’s different now ’cause I love the light that I’ve found,

In you.

Baby don’t you know?

That you’re my golden hour,

The color of my sky,

You’ve set my world on fire,

And I know, I know everything’s gonna be alright.”

These lyrics are romantic, beautiful and evocative. When the listener takes note of the lyrics it may bring them back to a very clear memory in their mind.    

 

Ariana Grande – “Thank U, Next”

Writers: Ariana Grande, Victoria Monét, Tayla Parx, Njomza Vitia, Kimberly Kryiuk, Tommy Brown, Michael Foster, Charles Anderson

This song may shock some of our readers but don’t get us wrong — we love Ariana Grande, she is a queen who slays at everything she puts her mind to, but we wouldn’t say this is a very poetic song. The reason she is on the list is because she is able to convey her emotions and personal message with only three word and this is summarized in a very memorable, singable and just won't get out of your head lyric:     :

“One taught me love,

one taught me patience,

one taught me pain,

now I’m so amazing.”

Yup, alright. Thank U. Next!

 

Chelsea Cutler – “Out Of Focus”

Writer: Chelsea Cutler

Chelsea Cutler's song “Out of Focus” has lyrics filled with statements we don’t say allowed but do say in our head from time to time, but there comes a point where enough is enough and we just have to blurt it out and live with the consequences. The lyrics sound like they were straight out of someones journal giving them a raw feel and that is why they are on our list:    

“I hate the way you smoke cigarettes when you’re drunk,

But you always remember to call me,

And I hate the way you say that you’re right when you’re wrong,

But you always come back home to love me.”

 

Julia Michaels – “Heaven”

Writers: Julia Michaels, Uzoechi Emenike, Tayla Parx, Morten Ristorp Jensen, Brian Garcia

This song by Julia Michaels was first released on the 50 Shades of Gray: Freed soundtrack. The song is able to capture the drama, fear and overflowing emotions in the film, which is how a good song in a movie should be.     

“No need to imagine,

‘Cause I know it’s true,

They say ‘all good boys go to heaven,’

But bad boys bring heaven to you.”

Can we get an amen to that?

 

Sam Smith – “Too Good At Goodbyes”

Writers: James Napier, Tor Hermansen, Mikkel Eriksen, Sam Smith

Yes we know, this is a song that everyones heard a billion times. But rightfully so, the soulfulness in the song is immaculate. Sam Smith's voice alone is enough for a song to be poetry. But what he does differently in this song is he speaks on his own flaws, which is a breath of fresh air but also very surprising. Because it is so raw and honest it digs deep into our soles and is better than most love songs that we have heard.      

“But every time you hurt me, the less that I cry,

And every time you leave me, the quicker these tears dry,

And every time you walk out, the less I love you,

Baby, we don’t stand a chance, it’s sad but it’s true,

I’m way too good at goodbyes.”

 

Selena Gomez & Marshmello – “Wolves”

Writers: Selena Gomez, Marshmello, Andrew Watt, Alli Tamposi, Brian Lee, Louis Bell, Carl Ronsen

Selena Gomez and Marshmellow proved to be a good duo and completely destroyed it on the production and instrumentals side of this track. The track continues to shift from romantic and slow to ecstatic and uplifting, the lyrics do a great job aiding the transition. The song is about doing whatever is asked for your partner especially in times of darkness.       

“I’ve looked for love in every stranger,

Took too much to ease the anger,

All for you, yeah, all for you,

I’ve been running through the jungle,

I’ve been crying with the wolves,

To get to you, to get to you (oh, to get to you).”

 

Kendrick Lamar & SZA – “All the Stars”

Writers: Kendrick Duckworth, Mark Spears, Al Shuckburgh, Soiána Rowe, Anthony Tiffith

The song “All the Stars” was featured in the smash hit movie Black Panther, and it is safe to say it was one of the most raved-about songs of 2018. The track does a great job of combining themes like identity, ancestry, hope, power and resilience  — all of these themes are heavily relevant in the movie thus creating a wonderful bridge between music and the world of Wakanda.    

“Love, let’s talk about love

Is it anything and everything you hoped for?

Or do the feeling haunt you?

I know the feeling haunt you.”

 

Logic ft. Alessia Cara, Khalid – “1-800-273-8255”

Writers: Bobby Hall II, Arjun Ivatury, Alessia Caracciolo, Khalid Robinson, Drew Taggart

Although this song came out in 2017, it took to storm in the beginning of 2018. The message is extremely meaningful and much needed. The music video does a great job showing some light in the darkest of moments, and the most confusing moments in life  — moments where our faith and foundations of who we are, are questioned. But what is really important is the song uses the real suicide prevention hotline in the title name, so if you are feeling at your lowest and contemplating sucide please call  “1-800-273-8255.”    

“All this other sh^# I’m talkin’ ’bout they think they know it,

I’ve been praying for somebody to save me, no one’s heroic,

And my life don’t even matter,

I know it, I know it, I know I’m hurting deep down but can’t show it.”

 

Childish Gambino - “This is America”

Writers: Donald Glover, Ludwig Göransson, and Jeffery Lamar Williams 

This may come as a shock for many people as rap music is not seen as being very poetic. But that being said, this song about the anger and anxiety that comes along with the police in America was one that hit home for many people, especially those who have been marginalized by the police since the beginning. Nevertheless whats poetry if not words that make one feel. 

“This is America (skrrt, skrrt, woo)

Don't catch you slippin' now (ayy)

Look at how I'm livin' now

Police be trippin' now (woo)

Yeah, this is America (woo, ayy)

Guns in my area (word, my area)”

 

Conclusion

These are some of our favourite poetic lyrics of 2018 in pop here at Jony Studios.

Because of all the great music that was released in 2018, we definitely forgot a few lyrics, if you think there's one we missed please let us know in the comment section below. Here’s to many years of musical poetry.


If you need further help creating your own music, we offer audio production services that will help you elevate your sound and bring your song to life!

We look forward to being a part of your success.

Contact us here to get started.

 

3 Ways Sampling Music Can Benefit Your Audience

3 Ways Sampling Music Can Benefit Your Audience-2.jpg

Many people overlook how producers creatively sample music, melodies, or even unusual sound effects to create a whole new unique piece of work. However, some music fans have a different take and instead look down on music samples used today as being unoriginal. There is a long history of samples being used in music (with examples arguably found all the way back in 1940!). Sampling can still be used creatively by artists and producers in ways anyone is able to love. Here is a shortlist of some of our favourite sampling techniques and why we think sampling should be here to stay.

 

1. Old Music Samples help Introduce younger people to old music

Personally, I can’t count the number of times I ran into a song and just had to look up the sample and ended up falling in love with the original artist. Many mainstream artists use hooks or background vocals from famous songs from the past that the youth might never get introduced to otherwise. In a blog by LANDR, it was made clear just how prevalent sampling is even as far back as the use of Ancient Greek chorus and verses. 

Artists also use samples to pay homage to their history.  For example, Kanye’s west song “Blood on the Leaves” uses chorus vocals from Nina’s Simone's song “Strange fruit”. The song is an eerily dark reminder of the suffering Black Americans faced during Jim Crow which was renewed to appeal to the present and pass on its importance to younger listeners.

Blood on the leaves - Kanye West

Producers: Kanye West, Ross Birchard, Elon Rutberg, Malik  Jones, Tony Williams, Cydel Young, Mike Dean, Lewis Allen

 

2. Producers can creatively create a new song from samples

Once I found out about music sampling, listening to song samples that sound completely different from the original song amazed me. Producers can get very creative while making music through sampling. They utilize production techniques to chop and screw, mix, loop etc. to create a new song as the use of microsampling. 

The YouTube video “What is MIDI” by LANDR, goes over MIDI (Musical Interface Digital Interface) which changed modern music profoundly with technology. 

Many hip hop artists have perfected this art of sampling such as Kanye West, Timbaland, Daft Punk, Pharrell and more. What’s great about this software is how more simple it makes the production process. If you aren’t familiar with production software, Jony Studios is a great service to help you with your recording, editing and mixing as well!

Blurred Lines- Robin Thicke  (sample Marvin Gaye’s Got to Give it up)

Producer: Pharrell Williams

 

3. Appreciation for different cultures

A lot of popular songs in pop culture actually take influences from cultures which connect music lovers around the world. During this digital age, through social media, the globalization of music is greater than ever as more music becomes available to use with permission. For example, Justin Timberlake's “What Goes Around Comes Around” which was produced by Timbaland and Danja samples a Yemeni Folk song. An article by ArabNews praises how more foreigners find a new appreciation for Arab Music as a result of sampling. 

Artists like M.I.A can also sample music to pay homage to their own culture such as she did in her song ‘Jimmy’ which was sampled by a Bollywood song by Parvati Khan. 

What goes around comes around - Justin Timberlake

Producer: Waylone Jennings, Richie Albright

 

Conclusion

Sampling in the future will likely become more unique and interesting as streaming services become more global along with increasingly advanced music editing software. Everyone loves timeless music with hooks and melodies that people loved years ago or miles away that will be loved by new audiences when transformed through production.

Do you think completely original songs are the only way for artists to be creative? Let us know what you think below.


If you need further help creating your own music, we offer audio production and video production services that will help you elevate your sound and bring your song to life!

We look forward to being a part of your success.

Contact us here to get started.

 

Andrew Scheps Mixing Tips

Andrew Scheps Mixing Tips-2.jpg

Grammy-winning mix engineer Andrew Scheps, is one of the biggest recording and audio engineers in the industry today. Andrew has a background playing the trumpet and completed a Recording Engineering Degree at the University of Miami.

His career began interning at two studios in New York and California, before becoming a synclavier specialist working on the road with big acts like Michael Jackson and Stevie Wonder and it only went up from there.

Moving to LA in 2001 he began working closely with another incredible producer Rick Rubin (stay tuned for another Industry Legend Spotlight Blog) where he made news mixing the Red Hot Chili Pepper’s album entirely in analogue.

maxresdefault.jpg

Since then he has worked with a star-studded list of artists including Adele, Black Sabbath, Metallica, Justin Timberlake, Jay-Z, U2, Iggy Pop and more! 

Since then Andrew Scheps again ruffled industry feathers by going the opposite direction and making the decision to mix entirely “in the box”, that is, without any analogue gear, entirely on a computer. Despite such a drastic change, Andrew still maintains the top quality sound and music philosophy that got him success originally. 

To be such an incredible and experienced engineer and still being willing to share his insights is really inspiring to us at Jony Studios, and it is our pleasure to share some of our favourite tips he’s shared over the years. 

*With all mixing tips, there is no one size fits all. These recommendations come from one of the best mixing engineers working with some of the best musicians and recording engineers therefore if your samples don’t work quite as well don’t worry! Using your own ears to find the sound that YOU love is much more important than copying a legend exactly. Even Andrew Scheps won’t have the exact same settings or plugins on any two projects* 

 

Vocal Mixing

Vocal mixing can be one of the most intimidating aspects of a new song. Regardless of if it is your voice, a friend or a client, the vocals are (almost) always front and centre in the mix, and you just know they have to be perfect. 

Just getting your vocals to cut through and be in front is the first step, and Andrew Scheps, known for using a lot of parallel processing in his work, has just the ticket. This tip features only techniques “in the box” so it’s very easy to recreate at home even if you’re just starting out. 

The first chain is very simple: 

First

Cut low end at around 100hz with a very wide shelf cut of less the 3.0db and boost the high end at around 8khz of around 3.0db

Vocal Chain 1.jpg

Second

Heavily compress the high end with a threshold around -36.0db above 1khz with a soft knee and ratio around 4.0/1. Your attack and release should be quite high as well, around 10ms and 120ms respectively

Vocal Chain 2.jpg

Third

Boost the low end with another eq at 100hz at around 2.5db and cut a little top end at 10khz, around 1.5db

Vocal Chain 3.jpg

With this technique, a vocal can cut through even the more dense mixes with clarity. Using just the first two steps in the chain, you are essentially compressing just the high and mid of the vocal chain. These areas greatly affect the presence and comprehensibility but also add in a lot of air, or harshness. In order to level the vocal out again and remove the harshness while maintaining clarity, the last step of the vocal chain eq’s a slight low pass, low boost filter leaving you with a hyper-compressed but pleasant and stable vocal. 

 

Bass Mixing

As always, the first step to getting a guitar/bass tone that you like is making a great sample. Recording and playing a great take is essential, there is a lot you can do while mixing, but fixing a poor sample will always turn out worse than polishing a great one. 

Again, Scheps is a big fan of parallel processing to produce the sound he wants. In the case of an aggressive and fast bass, it is a common misconception that heavy distortion is what brings the energy. Scheps argues that the attack, or actual sound of the physical strings (in a recording) provides much more character, rhythm and energy. If you’re looking for the feeling that bands like Green Day get with their punk bass, try this parallel processing technique. 

First

The first chain is a simple eq boosting the mids by 5-7dbs around 1.75khz

Bass Parallel 1.jpg

Second

The next independent chains are where the distortion really comes in (you didn’t think we forgot about it did you?). Using several different amps, or characters also help to fill out the booming low end of a good bass section, therefore layering these should be the next step. 

Third

Finally, all three should be fed through a final processing chain, first drive some of the low end with a multiband compressor. Follow that with another multiband compressor, this time slightly leveling the whole frequency range, and finally top it off with an eq bringing up some more low end at around 700hz boosting around 3.0db

Bass Parallel 2.1.jpg
 
Bass Parallel 2.2.jpg
 
Bass Parallel 2.3.jpg
 

Guitar Mixing

Guitar’s are also unique in that they are often a focus of a track alongside the vocal. Especially in the case of rock or metal, a heavy distorted power chord or triad can often fight with the vocal for space in a mix, another difficult challenge for any mixing engineer. 

For Andrew Scheps, compressing and eq are also essential, but the final solution in some cases is panning. 

To start, it’s important to remember that certain plugins, or analogue gear for that matter, are meant to be used around a certain frequency. There are a very large amount of vocal processing plugins including enhancers, compressors and eqs. For the exact same reason why your guitars and vocals might clash, those same plugins might work just as well on guitar! Guitars occupy a very similar frequency space to vocals therefore some of the vocal processing tips gone over earlier can also work here!

Another thing to remember is that guitars inherently are an extremely resonant instrument. Here more than ever it is essential to get a great take because trying to take out too much fuzzy distortion during the mixing process can be difficult when so many other clean frequencies and the sound of the pick are up there as well.

Parallel compression can again really help mixing guitars without changing their sound too much and there really isn’t any single chain or tip here. 

First

Boosting some low end around 600hz slightly can really bring the tone of a guitar to life, but again be sure not to get too heavy with this as it can significantly change the energy of a take.

Guitar Chain 1.jpg

Second

Using very minimal parallel compression next is necessary in some cases to level the sound again but again, too much will be very detrimental. As stated regarding bass, the attack of an instrument is very responsible for the energy groove or aggression (depending on what you’re going for) so a flat guitar part can just feel lifeless. 

Once you have all this down with a solid take and the energy you want it’s time to position it in the mix. Especially with a busy or heavily distorted guitar part you might again notice the guitar and vocals fighting with each-other. While more eqing can help, Andrew Scheps has also come up with a unique solution. 

You guessed it, panning. An unbalanced mix is far from pleasant but by panning the guitar part, or other mid range heavy element, you leave more room for the star of the show, the vocals to shine through. Using this technique is very tricky and should only be used when absolutely necessary however using some reverb panned to the opposite side will greatly help keep imbalances to a minimum. Try panning other elements including backing vocals opposite the main guitar part as well to make sure the mix has a perfect balance at the end of the day. 

 

How to prepare for a session

Preparation is another one of those things that most professionals would just say takes practice. Getting ready for your first, fifth or even 100th recording session can always be stressful. 

Take it from the words of Andrew Scheps himself from an interview with Your Audio Solutions 

“Preparation.

You can never do enough preparation.

You need to have everything in your head and written down. For example, which microphones to use, placements, which preamps to use and where to put them all so you can get to the vocals really easily.

Where to put the musicians and one of the most important things, their headphones. How are they going to hear and see each other because that is the biggest thing to get a good recording - making the band feel comfortable. If they can’t hear what’s going on they can’t play. Every single aspect of that has to be right. 

Show up early, be completely ready to go, so if someone walks in and sits down by the drum kit you are ready to hit record.

You can’t decide everything in advance because the session goes how the session goes. But it’s good to have planned out as much as possible beforehand so you can react to the chaos and still be able to record. No matter what changes. For example, if they decide to record the drums in the control room, you can do that and make it work because you have everything under control. “

 

Conclusion

By taking just a few minutes to hear Andrew Scheps speak about his craft it is so clear just how passionate he is. It is that kind of energy that greatly inspires us at Jony Studios, and I hope it inspires you too. All these tips and many more are available on the internet through countless interviews, videos and online courses, mostly for free! We would like to thank Andrew Scheps for his great contribution to the industry, not least of which through the sharing of his expertise but also through his work on some of the most famous, and well-loved albums in the past 20 years. 

If you are interested in hearing more music, mixing, and marketing tips be sure to keep up to date with us on social media and keep checking our website for more blogs like this. In addition, check out our services page for more information on what we can do for your music career. 

- By Erik Steiner


If you need further help creating your own music, we offer music production services that will help you elevate your sound and bring your song to life!

We look forward to being a part of your success.

Contact us here to get started.